{"id":1033,"date":"2015-01-15T19:44:29","date_gmt":"2015-01-15T18:44:29","guid":{"rendered":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/?p=1033"},"modified":"2015-09-28T20:51:15","modified_gmt":"2015-09-28T19:51:15","slug":"unstudios-burnham-pavilion-chicago","status":"publish","type":"post","link":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/?p=1033","title":{"rendered":"UNStudio\u2019s Burnham Pavilion, Chicago"},"content":{"rendered":"

\u00ab\u00a0The UNStudio Burnham Pavilion relates to diverse city contexts, program and scales. It invites people to gather, walk around and through and to explore and observe. The pavilion is sculptural, highly accessible and functions as an urban activator.\u00a0\u00bb<\/p>\n

\u00a0-Ben van Berkel<\/p>\n

Burnham Pavilion, Chicago<\/strong><\/p>\n

Client:<\/span> <\/strong>Chicago<\/span> Metropolis<\/span> 2020<\/span>
\nProgramme<\/span>:<\/strong> pavillon<\/span> temporaire<\/span>
\nStatut:<\/span><\/strong> R\u00e9alis\u00e9<\/span> Juin<\/span> 2009<\/span>
\nEquipe<\/span><\/strong>
\nUNStudio<\/span>:<\/em> Ben<\/span> van Berkel<\/span>, Caroline<\/span> Bos<\/span> avec Christian<\/span> Veddeler<\/span>, Wouter<\/span> de Jonge<\/span> et Hans<\/span>-Peter Nuenning<\/span>, Ioana<\/span> Sulea<\/span>
\nGarofalo<\/span><\/span><\/span><\/span> Architectes:<\/span><\/em> Douglas<\/span> Garofalo<\/span> avec Grant<\/span> Gibson<\/span>
\nConseillers<\/span><\/strong>
\nStructural Engineering<\/span>:<\/em> Chris<\/span> Rockey<\/span>
\nInstallation<\/span> lumi\u00e8re:<\/span><\/em> Daniel Sauter<\/span>, Tracey<\/span> Cher<\/span><\/span><\/span>
\n<\/span><\/span><\/p>\n

UNStudio<\/span> ont r\u00e9v\u00e9l\u00e9<\/span> la conception de<\/span> Ben<\/span> van Berkel<\/span> pour le Pavillon<\/span> de Burnham<\/span> qui \u00e9tait<\/span> au Millennium Park<\/span> de Chicago<\/span> pour c\u00e9l\u00e9brer le<\/span> 100 e anniversaire<\/span> du Plan<\/span> Chicago<\/span> Burnham<\/span>, qui d\u00e9crit la structure<\/span> de Chicago<\/span>.<\/span><\/p>\n

Plac\u00e9<\/span> au milieu du<\/span> Millennium Park<\/span> et encadr\u00e9 par<\/span> le lac Michigan<\/span> d’un c\u00f4t\u00e9<\/span> et de Michigan Avenue<\/span> de l’autre<\/span>, le pavillon Burnham<\/span> concerne<\/span> diverses<\/span> villes-<\/span>contextes, les programmes et les<\/span> \u00e9chelles<\/span>. Sur la base de<\/span> la sp\u00e9cificit\u00e9<\/span> du site<\/span>, la conception<\/span> du pavillon<\/span> d\u00e9velopp\u00e9<\/span> une relation<\/span> complexe<\/span> \u00e0 la forme<\/span> existante<\/span> d’une g\u00e9om\u00e9trie<\/span> rigide, mais<\/span> il introduit aussi<\/span> un espace<\/span> flottant et<\/span> multi-<\/span>directionnelle. Il<\/span> se oriente<\/span> \u00e0 la texture<\/span> de la ville<\/span>, aux<\/span> flux de visiteurs<\/span> explorant<\/span> Millennium Park<\/span> et surtout<\/span> introduit<\/span> diverses<\/span> vues<\/span> vers le parc<\/span> et<\/span> la ville<\/span> environs.<\/span> Le pavillon<\/span> est ouvert vers<\/span> ses<\/span> c\u00f4t\u00e9s<\/span> entre les<\/span> deux sur les<\/span> plans horizontaux<\/span> d\u00e9but d’un<\/span> podium et<\/span> un toit<\/span>.<\/span><\/p>\n

\"12346_l\"<\/p>\n

Conception<\/strong><\/h4>\n

Sur la base de<\/span> la sp\u00e9cificit\u00e9<\/span> du site<\/span>, la conception<\/span> du pavillon<\/span> des pr\u00e9cisions sur<\/span> la relation<\/span> \u00e0 la g\u00e9om\u00e9trie<\/span> rigide<\/span> existant, mais<\/span> il introduit aussi<\/span> un espace<\/span> flottant et<\/span> multi-<\/span>directionnelle. Il<\/span> se oriente<\/span> \u00e0 la texture<\/span> de la ville<\/span>, aux<\/span> flux de visiteurs<\/span> explorant<\/span> Millennium Park<\/span> et surtout<\/span> introduit<\/span> diverses<\/span> vues<\/span> vers le parc<\/span> et<\/span> la ville<\/span> environs.<\/span> Le pavillon<\/span> est<\/span> ouvert \u00e0 ses<\/span> c\u00f4t\u00e9s<\/span>, entre les<\/span> deux plans horizontaux<\/span> du podium<\/span> et le toit<\/span>.
\n<\/span><\/p>\n

La conception<\/span> du pavillon<\/span> UNStudio<\/span> utilise<\/span> d’abord<\/span> la configuration<\/span> de la grille<\/span> orthogonale<\/span> de la ville<\/span> et le parc.<\/span> Les bords<\/span> du pavillon<\/span> suivent<\/span> le syst\u00e8me de grille<\/span> stricte<\/span> de la ville<\/span> et le parc<\/span> entourant<\/span> la g\u00e9om\u00e9trie<\/span>. Plan<\/span> de<\/span> Burnham<\/span> il y a cent ans<\/span> a pr\u00e9sent\u00e9<\/span> cette grille<\/span> g\u00e9n\u00e9rique que<\/span> le g\u00e9n\u00e9rateur principal<\/span> de la texture<\/span> de la ville<\/span>. Cependant<\/span> \u00e0 c\u00f4t\u00e9 de ce<\/span> qu’il<\/span> a \u00e9galement introduit un<\/span> appareil pour lire<\/span> \u00e0 la fois<\/span> la sp\u00e9cificit\u00e9 et la<\/span> variation de<\/span> la forme des<\/span> boulevards<\/span> diagonales<\/span>, cr\u00e9ant ainsi<\/span> des vues<\/span> sp\u00e9cifiques<\/span> \u00e0 travers la ville<\/span>.<\/span><\/p>\n

\"6a00d834518cc969e201157024e30d970c-800wi\"<\/p>\n


\nUNStudio<\/span> principal architecte<\/span> Ben<\/span> van Berkel<\/span> dit<\/span> la conception<\/span> du pavillon<\/span> a \u00e9t\u00e9 influenc\u00e9 par<\/span> un voyage \u00e0 Chicago<\/span> comme un adolescent<\/span>, o\u00f9 il a observ\u00e9<\/span> les<\/span> plafond et de toit<\/span> avant-toits<\/span> en porte \u00e0 faux<\/span> de<\/span> Robie House<\/span> de Frank Lloyd<\/span> Wright<\/span>. Les<\/span> deux plans horizontaux<\/span> du pavillon<\/span> montrent<\/span> cette influence<\/span>. Les bords de<\/span> la plus faible des<\/span> deux plans<\/span> –<\/span> chauss\u00e9e<\/span> du pavillon<\/span> –<\/span> agissent comme des<\/span> bancs,<\/span> invitant<\/span> le repos et<\/span> l’interaction<\/span>.<\/span><\/p>\n

Tout comme<\/span> cam\u00e9ra<\/span> tente de<\/span> cadrer et<\/span> capturer<\/span> une histoire<\/span> \u00e0 partir d’un<\/span> choix de beaucoup<\/span>, de sorte que le<\/span> Pavillon<\/span> de Burnham<\/span> par<\/span> UNStudio<\/span> cherche \u00e0<\/span> nous surprendre avec<\/span> diff\u00e9rents points de vue<\/span> sur les toits de<\/span> Chicago.<\/span> Les ouvertures dans<\/span> la fonction de<\/span> toit en pavillon<\/span> que des cadres<\/span> qui dirigent<\/span> notre attention<\/span> vers l’ext\u00e9rieur<\/span>, vers la texture<\/span> et le caract\u00e8re<\/span> cin\u00e9matographique<\/span> de la ville<\/span>.<\/span><\/p>\n

\"LI-sculp-BP-107b\"\"3977670749_6c7e61c5f2_m\" \"LI-sculp-BP-109b\" \"P1020817\"<\/p>\n

G\u00e9om\u00e9trie\/Modelisation<\/strong><\/p>\n

Le pavillon<\/span> par<\/span> van Berkel<\/span> UNStudio<\/span>, appel\u00e9<\/span> par certains comme<\/span> le pavillon<\/span> UNStudio<\/span>, est compos\u00e9 de<\/span> deux plans<\/span> rectangulaires parall\u00e8les<\/span> reli\u00e9es par<\/span> courbant<\/span> boules<\/span>. Il est construit<\/span> sur un ch\u00e2ssis<\/span> en acier<\/span> et poss\u00e8de<\/span> une peau<\/span> de contreplaqu\u00e9<\/span> blanc brillant<\/span> qui commence<\/span> dans les angles<\/span> familiers<\/span> de<\/span> droite et<\/span> que les dipl\u00f4m\u00e9s<\/span> en<\/span> doubles<\/span> courbes<\/span> de<\/span> bois contreplaqu\u00e9<\/span>. Il est situ\u00e9<\/span> sur une<\/span> plate-forme sur\u00e9lev\u00e9e<\/span> et il<\/span> accueille<\/span> une grille de<\/span> 42<\/span> lumi\u00e8res LED<\/span>, contr\u00f4l\u00e9 par ordinateur<\/span> sur la face inf\u00e9rieure<\/span> du toit<\/span>. La<\/span> dalle de plancher<\/span> est<\/span> en porte \u00e0 faux<\/span> et<\/span> est d\u00e9coup\u00e9<\/span> par<\/span> une<\/span> rampe<\/span> d’<\/span>entr\u00e9e qui en fait<\/span> accessible<\/span> ADA<\/span>. Le toit<\/span>, qui est d\u00e9crit comme<\/span> flottant,<\/span> a \u00e9galement des ouvertures<\/span> pour les yeux<\/span> analogue<\/span>. Le pavillon<\/span> est compos\u00e9<\/span> d’acier<\/span> offert par<\/span> ArcelorMittal<\/span> bas\u00e9e \u00e0 Chicago<\/span> et<\/span> est destin\u00e9 \u00e0 \u00eatre<\/span> d\u00e9-<\/span>construit et recycl\u00e9<\/span>.<\/span><\/p>\n

\"2615067846\" \"2615067925\" \"maxresdefault\"<\/p>\n

Mat\u00e9riaux<\/h4>\n

Mat\u00e9riel:<\/span>
\n–<\/span> Principal:<\/span> la structure<\/span> en acier<\/span> de colonnes dans<\/span> les<\/span> trois<\/span> \u00abjambes\u00bb<\/span> du pavillon<\/span> et<\/span> des poutres d’acier<\/span> horizontales<\/span>
\n– Secondaire<\/span>: structure nervur\u00e9e<\/span> bois<\/span> pour former<\/span> la g\u00e9om\u00e9trie<\/span> lisse<\/span>
\n-Troisi\u00e8me<\/span>: Panneaux de contreplaqu\u00e9<\/span> pour former<\/span> la peau<\/span> du<\/span> pavillon<\/span>
\n-Finition<\/span>: Bondo<\/span> (<\/span>= pl\u00e2tre<\/span> \u00e9lastique)<\/span> et de la peinture<\/span><\/span><\/p>\n

\"burnham6\" \"unstudio \"unstudio\"1251674458-unstudio-burnham\"<\/p>\n

Bien que<\/span> la structure<\/span> appara\u00eet<\/span> lumineuse et a\u00e9r\u00e9e<\/span>, le cadre de la<\/span> Burnham<\/span> Pavilion<\/span> UNStudio<\/span> re\u00e7oit<\/span> son soutien<\/span> et la forme<\/span> d’une forte<\/span> squelette d’<\/span>acier. L’acier a \u00e9t\u00e9<\/span> parrain\u00e9 par<\/span> ArcelorMittal<\/span>, le premier producteur<\/span> d’acier<\/span> du monde<\/span>, qui poss\u00e8de des installations<\/span> dans plus de 60<\/span> pays et<\/span> son si\u00e8ge social<\/span> nord-am\u00e9ricain<\/span> \u00e0 Chicago<\/span>. La fondation<\/span> de<\/span> l’acier<\/span> du pavillon<\/span> soutient<\/span> nervures<\/span> de contreplaqu\u00e9<\/span> complexe con\u00e7us<\/span> qui sont couverts<\/span> avec la peau<\/span> de<\/span> contreplaqu\u00e9 et<\/span> recouvertes de<\/span> peinture r\u00e9fl\u00e9chissante<\/span>. L’acier<\/span> dans ce pavillon<\/span> sera recycl\u00e9<\/span> \u00e0 la fin de<\/span> l’exposition<\/span> du pavillon<\/span>. L’acier est<\/span> le mat\u00e9riau le plus<\/span> recycl\u00e9 au monde<\/span>, avec plus de 250<\/span> millions de tonnes<\/span> recycl\u00e9es<\/span> chaque ann\u00e9e<\/span>.<\/span><\/p>\n

Installation<\/span> lumi\u00e8re:<\/span><\/span><\/span><\/span><\/strong><\/p>\n

Pour<\/span> souligner la forme<\/span> et la g\u00e9om\u00e9trie<\/span> du b\u00e2timent<\/span> aussi \u00e0 travers<\/span> la nuit<\/span>, un dispositif d’\u00e9clairage<\/span> sophistiqu\u00e9 est<\/span> introduit<\/span>. Construit dans<\/span> le podium<\/span> du pavillon<\/span>, un syst\u00e8me de<\/span> 49<\/span> lumi\u00e8res LED<\/span> illumine les<\/span> formes fluides<\/span> de la structure<\/span> entre les deux<\/span> niveaux horizontaux<\/span> de<\/span> podium<\/span> et le toit<\/span>. En<\/span> temps r\u00e9el<\/span> l’animation<\/span> constante \u00e9volution<\/span> de la lumi\u00e8re<\/span> varie en intensit\u00e9<\/span>, la couleur et, de mani\u00e8re interactive<\/span>, le rythme<\/span> de l’activation<\/span>.<\/span><\/p>\n

\"325\" \"327\" \"331\" \"339\"<\/p>\n

Le pavillon<\/span> ne<\/span> est pas av\u00e9r\u00e9 \u00eatre<\/span> assez durable pour<\/span> l’environnement interactif<\/span> du<\/span> Millennium Park<\/span>. Kamin<\/span> sent<\/span> que le pavillon<\/span> a \u00e9t\u00e9 con\u00e7u<\/span> plus pour<\/span> la v\u00e9n\u00e9ration<\/span> comme les \u0153uvres<\/span> du mus\u00e9e<\/span> d’art<\/span> d’int\u00e9rieur<\/span> et de la sculpture<\/span> en plein air<\/span> sur des socles<\/span>. Cependant<\/span>, les planchistes<\/span>, feux d’artifice<\/span> et les grimpeurs<\/span> avides<\/span> spectateurs<\/span> jeunes<\/span> ont fait partie<\/span> de la<\/span> causalit\u00e9<\/span> multiple de<\/span> la baisse<\/span> du pavillon<\/span> qui a conduit \u00e0<\/span> la fermeture pendant la<\/span> semaine d’ao\u00fbt<\/span> 2009.<\/span><\/span><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab\u00a0The UNStudio Burnham Pavilion relates to diverse city contexts, program and scales. It invites people to gather, walk around and through and to explore and observe. The pavilion is sculptural, highly accessible and functions as an urban activator.\u00a0\u00bb \u00a0-Ben van Berkel Burnham Pavilion, Chicago Client: Chicago Metropolis 2020 Programme: pavillon temporaire Statut: R\u00e9alis\u00e9 Juin 2009 Equipe UNStudio: Ben van Berkel, Caroline Bos avec Christian Veddeler, Wouter de Jonge et Hans-Peter Nuenning, Ioana Sulea Garofalo Architectes: Douglas Garofalo avec Grant Gibson Conseillers Structural Engineering: Chris Rockey Installation lumi\u00e8re: Daniel Sauter, Tracey Cher UNStudio ont r\u00e9v\u00e9l\u00e9 la conception de Ben van Berkel pour le Pavillon de Burnham qui \u00e9tait au Millennium Park de Chicago pour c\u00e9l\u00e9brer le 100 e anniversaire du Plan Chicago Burnham, qui d\u00e9crit la structure de Chicago. Plac\u00e9 au milieu du Millennium Park et encadr\u00e9 par le lac Michigan d’un c\u00f4t\u00e9 et de Michigan Avenue de l’autre, le pavillon Burnham concerne diverses villes-contextes, les programmes et les \u00e9chelles. Sur la base de la sp\u00e9cificit\u00e9 du site, la conception du pavillon d\u00e9velopp\u00e9 une relation complexe \u00e0 la forme existante d’une g\u00e9om\u00e9trie rigide, mais il introduit aussi un espace flottant et multi-directionnelle. Il se oriente \u00e0 la texture de la ville, […]<\/p>\n","protected":false},"author":29,"featured_media":1034,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[22,20,11,21],"_links":{"self":[{"href":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/posts\/1033"}],"collection":[{"href":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1033"}],"version-history":[{"count":4,"href":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/posts\/1033\/revisions"}],"predecessor-version":[{"id":1370,"href":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/posts\/1033\/revisions\/1370"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/media\/1034"}],"wp:attachment":[{"href":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1033"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}