{"id":566,"date":"2014-10-24T09:52:13","date_gmt":"2014-10-24T08:52:13","guid":{"rendered":"http:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/?p=566"},"modified":"2015-09-28T21:05:00","modified_gmt":"2015-09-28T20:05:00","slug":"student-works-saltworks-from-washington-university-in-st-louis","status":"publish","type":"post","link":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/?p=566","title":{"rendered":"\u00ab\u00a0Saltworks\u00a0\u00bb de Washington Universit\u00e9 \u00e0 St. Louis"},"content":{"rendered":"
<\/div>\n
\u00a0\"Constructing<\/a><\/span><\/div>\n
<\/div>\n
Construire<\/span> \u00ab\u00a0<\/span>Saline\u00a0\u00bb \u00a9<\/span> saline<\/span> studio<\/span><\/span><\/span>Trouver l’inspiration<\/span> dans la g\u00e9n\u00e9tique<\/span> derri\u00e8re<\/span> le cou<\/span> d’une girafe<\/span>, \u00e9tudiants \u00e0 l’Universit\u00e9<\/span> de Washington \u00e0 St.<\/span> Louis<\/span> ont utilis\u00e9 des m\u00e9thodes<\/span> de conception<\/span> param\u00e9trique<\/span> pour construire<\/span> une pi\u00e8ce souple<\/span> de<\/span> mobilier urbain<\/span> pour<\/span> le<\/span> campus de l’universit\u00e9<\/span>.Les instructeurs<\/span> Joe<\/span> MacDonald<\/span> et<\/span> Arash<\/span> Adel<\/span> \u00e9nonc\u00e9es<\/span> \u00e0<\/span> enqu\u00eater sur<\/span> l’agence<\/span> derri\u00e8re<\/span> la conception num\u00e9rique<\/span>, en remettant en cause<\/span> les \u00e9l\u00e8ves \u00e0<\/span> int\u00e9grer<\/span> calcul<\/span>, un syst\u00e8me de<\/span> mat\u00e9riau souple<\/span> et performance dans un<\/span> espace public<\/span>. Les \u00e9l\u00e8ves<\/span> con\u00e7us, fabriqu\u00e9s<\/span> et assembl\u00e9s<\/span> Saline<\/span> pour<\/span> la<\/span> fabrication<\/span> num\u00e9rique<\/span> en studio<\/span> l’automne 2011<\/span>, en collaboration avec les<\/span> enseignants<\/span> de d\u00e9cider<\/span> sur le site<\/span> d’installation<\/span>. Leur<\/span> produit final<\/span> incarne<\/span> parfaitement<\/span> l’analogie<\/span> g\u00e9n\u00e9tique<\/span> \u00e0 la pratique de<\/span> la conception param\u00e9trique<\/span>; aligner<\/span> r\u00e9ticulations<\/span> biologiques<\/span> avec<\/span> programmable<\/span>, syst\u00e8mes<\/span> r\u00e9p\u00e9ter<\/span>.<\/div>\n

\"Completed <\/a><\/p>\n

Termin\u00e9<\/span> \u00ab\u00a0<\/span>Saline\u00a0\u00bb \u00e0 l’Universit\u00e9<\/span> de Washington \u00e0 St.<\/span> Louis<\/span>. \u00a9<\/span> Saline<\/span> studio<\/span><\/span><\/p>\n

De<\/span> la description du projet<\/span>:<\/p>\n

Nouvelles pratiques<\/span> facilit\u00e9es par<\/span> la technologie num\u00e9rique<\/span> modifient profond\u00e9ment<\/span> les<\/span> fa\u00e7ons dont nous<\/span> mesurons<\/span>, cr\u00e9ons,<\/span> et, finalement,<\/span> habiter l’espace<\/span>. Ce studio<\/span> a enqu\u00eat\u00e9 sur l’<\/span>agence de design num\u00e9rique<\/span> en int\u00e9grant<\/span> le calcul<\/span>, syst\u00e8mes de mat\u00e9riaux<\/span> et de performance.<\/span> Utilisant<\/span> conception num\u00e9rique<\/span> \/<\/span> fabrication<\/span>, le studio \u00e9tait<\/span> en mesure de<\/span> calibrer<\/span> entre les codes<\/span> sociaux<\/span> et<\/span> ergonomiques<\/span>, ainsi que l’artefact<\/span> physique.<\/span><\/p>\n

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CONCEPTION \/ MODELISATION<\/strong><\/h4>\n

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\"\u00a9<\/p>\n

\"\u00a9 <\/a><\/p>\n

\u00a9<\/span> Saline<\/span> studio<\/span><\/span><\/p>\n

Intitul\u00e9<\/span> \u00abFormulaire<\/span> r\u00e9ticul\u00e9<\/span>: pleine \u00e9chelle<\/span> de prototypage<\/span>,\u00a0\u00bb Saline<\/span> est une installation<\/span> innovante<\/span> ext\u00e9rieur<\/span> con\u00e7u, fabriqu\u00e9<\/span>, assembl\u00e9<\/span> et<\/span> par les \u00e9tudiants dans<\/span> Joe<\/span> MacDonald<\/span> et<\/span> Option<\/span> Studio de<\/span> Arash<\/span> Adel<\/span> \u00e0 l’Universit\u00e9<\/span> de Washington \u00e0 St.<\/span> Louis<\/span>. Le processus de<\/span> recherche et de conception<\/span> centr\u00e9e sur<\/span> les explorations<\/span> param\u00e9triques<\/span> de<\/span> r\u00e9ticulation<\/span>: division<\/span>, le marquage, et l’assemblage<\/span> avec l’intention de<\/span> former des r\u00e9seaux<\/span> structurelles et programmatiques<\/span>. Nous cherchions<\/span> des solutions architecturales<\/span> cr\u00e9atives fond\u00e9es<\/span> sur<\/span> les propri\u00e9t\u00e9s des mat\u00e9riaux<\/span>, la g\u00e9om\u00e9trie formelle<\/span> et<\/span> les<\/span> implications spatiales<\/span> d’une installation<\/span> \u00e0 grande \u00e9chelle.<\/span><\/p>\n

 <\/p>\n

\"\u00a9 <\/a><\/p>\n

\u00a9<\/span> Saline<\/span> studio<\/span><\/span><\/p>\n

J’ai appris<\/span> plus<\/span> sur la fa\u00e7on<\/span> de penser<\/span> de fa\u00e7on param\u00e9trique<\/span> dans le<\/span> processus de conception<\/span>, et<\/span> la fa\u00e7on dont il<\/span> porterait sur<\/span> les mat\u00e9riaux de construction<\/span>. Surfaces<\/span> r\u00e9ticul\u00e9es<\/span> telles que<\/span> la<\/span> peau<\/span> d’un<\/span> python<\/span> motif<\/span> girafe<\/span> ou<\/span> ont des motifs<\/span> non<\/span>–<\/span>r\u00e9p\u00e9titif constitu\u00e9e de<\/span> lignes et de surfaces<\/span> de g\u00e9n\u00e9ration de<\/span> r\u00e9seaux<\/span> qui surviennent<\/span> spontan\u00e9ment<\/span> mais<\/span> in\u00e9vitablement du<\/span> programme<\/span> de la g\u00e9n\u00e9tique.<\/span> Gr\u00e2ce \u00e0 ce proc\u00e9d\u00e9<\/span> de la forme<\/span> de d\u00e9cisions<\/span> comme source d’inspiration<\/span>, notre travail avec<\/span> r\u00e9ticulation<\/span> vise<\/span> \u00e0<\/span> engager<\/span> syst\u00e9matiquement<\/span> b\u00e2timent,<\/span> paysage<\/span> et<\/span> programme<\/span> auto-<\/span>g\u00e9n\u00e9ratrices et<\/span> multidimensionnelle<\/span> syst\u00e8mes<\/span> conjonctifs<\/span>. Le site<\/span> pour le studio<\/span> a \u00e9t\u00e9 d\u00e9couvert<\/span> au cours<\/span> du semestre<\/span> en int\u00e9grant<\/span> la compr\u00e9hension conceptuelle<\/span> de<\/span> la forme<\/span> \u00e0 la fois<\/span> fabriqu\u00e9<\/span> et<\/span> les<\/span> environs<\/span> Givens<\/span> Salle<\/span> existants<\/span>. Les \u00e9tudiants \u00e9taient invit\u00e9s<\/span> \u00e0 \u00e9laborer des programmes<\/span> individuels associ\u00e9s \u00e0<\/span> la fabrication<\/span> en fonction de leur<\/span> compr\u00e9hension d’un<\/span> contexte local<\/span> tr\u00e8s<\/span> sp\u00e9cifique<\/span>.<\/p>\n

 <\/p>\n

\"\u00a9 <\/a><\/p>\n

\u00a9 Saltworks Studio<\/div>\n

Constrains and Utility<\/strong>
\nOur budget set a specific constraint on the amount of plywood we could supply for the project. By analyzing the site of the installation, understanding its local relationship to the surrounding environment, and considering the amount of plywood, the main program of the installation was defined. Main program of the installation, an interactive seating landscape, formulated the base geometry for our investigation.<\/p>\n

\"\u00a9 <\/a><\/p>\n

\u00a9 Saltworks Studio<\/div>\n

Interactivity: Program and Reticulation<\/strong>
\nReticulated surface of the installation has non-repeating patterns comprised of concave and convex surfaces that generate networks arising spontaneously but inevitably from the programming of specific parameters. Using this performance design driven process, our work with reticulation aims to systematically engage ergonomic needs, landscape and program as self-generating and multi-dimensionally connective systems.<\/p>\n

\"\u00a9 <\/a><\/p>\n

\u00a9 Saltworks Studio<\/div>\n

I already have used the experience to help with analyzing city data through parametric capabilities.<\/span>\u00a0Twist Tectonic-Global Modulation<\/strong>
\nThis diagram shows the capability of the system to produce different spatial and functional possibilities. The relationship between the parts, and detailing and assembly of Baltic Birch and Polypropylene enables the system with the possibility of having different global configuration. It brings fluidity to the form and enhances the interaction between the user and the architectural space.<\/p>\n

\"\u00a9 <\/a><\/p>\n

\u00a9 Saltworks Studio<\/div>\n

Fabrication-Assembly<\/strong>
\nThe plywood is stained Baltic Birch with an exterior grade glue, the spacers are polypropylene. It is held together by three steel rods and rotational because of the rubber dowels as shown in the construction drawing. The post-tension steel rods provide a camber for the center of the bench allowing it to rest on two ends. The birch and polypropylene pieces were transferred from baked grasshopper isocurves and points into masterCAM files where they were CNC routed with flip milling.<\/p>\n

Overview:<\/p>\n

Product: Saltworks<\/em>
\nCourse: \u201cReticulated Form: Full Scale Prototyping\u201d, Fall 2011 Digital Fabrication Studio
\nSchool: Washington University, St. Louis
\nInstructors: Joe MacDonald and Arash Adel
\nStudents: Zephyr Anthony, Andrew Davis, Kyle Fant, Xiaoshuang Hu, Allyson Justmann, Andrew McCready, Kelly Peoples, Xiaofei Ren, Bo Sheng, Jody Smith, Ben Stephenson, Tommy Watkins, Duo Yu.
\nAll photos and drawings \u00a9 Saltworks Studio<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

\"\u00a9<\/p>\n

 <\/p>\n

\"\u00a9<\/p>\n

 <\/p>\n

\"\u00a9<\/p>\n

 <\/p>\n

\"\u00a9<\/p>\n

 <\/p>\n

Ref: http:\/\/archinect.com\/features\/gallery\/82684993\/4\/student-works-saltworks-from-washington-university-in-st-louis<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 Construire \u00ab\u00a0Saline\u00a0\u00bb \u00a9 saline studioTrouver l’inspiration dans la g\u00e9n\u00e9tique derri\u00e8re le cou d’une girafe, \u00e9tudiants \u00e0 l’Universit\u00e9 de Washington \u00e0 St. Louis ont utilis\u00e9 des m\u00e9thodes de conception param\u00e9trique pour construire une pi\u00e8ce souple de mobilier urbain pour le campus de l’universit\u00e9.Les instructeurs Joe MacDonald et Arash Adel \u00e9nonc\u00e9es \u00e0 enqu\u00eater sur l’agence derri\u00e8re la conception num\u00e9rique, en remettant en cause les \u00e9l\u00e8ves \u00e0 int\u00e9grer calcul, un syst\u00e8me de mat\u00e9riau souple et performance dans un espace public. Les \u00e9l\u00e8ves con\u00e7us, fabriqu\u00e9s et assembl\u00e9s Saline pour la fabrication num\u00e9rique en studio l’automne 2011, en collaboration avec les enseignants de d\u00e9cider sur le site d’installation. Leur produit final incarne parfaitement l’analogie g\u00e9n\u00e9tique \u00e0 la pratique de la conception param\u00e9trique; aligner r\u00e9ticulations biologiques avec programmable, syst\u00e8mes r\u00e9p\u00e9ter. Termin\u00e9 \u00ab\u00a0Saline\u00a0\u00bb \u00e0 l’Universit\u00e9 de Washington \u00e0 St. Louis. \u00a9 Saline studio De la description du projet: Nouvelles pratiques facilit\u00e9es par la technologie num\u00e9rique modifient profond\u00e9ment les fa\u00e7ons dont nous mesurons, cr\u00e9ons, et, finalement, habiter l’espace. Ce studio a enqu\u00eat\u00e9 sur l’agence de design num\u00e9rique en int\u00e9grant le calcul, syst\u00e8mes de mat\u00e9riaux et de performance. Utilisant conception num\u00e9rique \/ fabrication, le studio \u00e9tait en mesure de calibrer entre les codes sociaux et ergonomiques, ainsi que […]<\/p>\n","protected":false},"author":7,"featured_media":607,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"_links":{"self":[{"href":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/posts\/566"}],"collection":[{"href":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=566"}],"version-history":[{"count":8,"href":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/posts\/566\/revisions"}],"predecessor-version":[{"id":867,"href":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/posts\/566\/revisions\/867"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=\/wp\/v2\/media\/607"}],"wp:attachment":[{"href":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sapi.paris-lavillette.archi.fr\/CTID924\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}